A place that embraces efficient public transportation, accessible green space and harnesses the power of nature isn’t a utopian fantasy; it’s the capital of Denmark. Recently, the Global Green Economy Index gave Copenhagen the title of “greenest city in the world” with a perfect score of 100 in terms of perception and performance. In the assessment, Global Green Economy authorities wrote that “Denmark relentlessly communicates its commitment to green growth through a variety of strategies and tactics.”
In a world where everything seems to have been done already, Jason Lewis has pulled off something entirely unique: circumnavigating the globe using only human power. No planes, motors or metal–just mental…
Found on the Lower East Side of Manhattan next to Little Italy, Chinatown, NYC is not for the faint of heart. As a visitor, you will be chum to the hungry frenzy of vendors eager to sell their ubiquitous wares for a quick buck. They will tug at your arm and wave at you frantically to corral you into their open-air shops, selling good luck statuettes of Chinese folk heroes side-by-side with the same twenty t-shirts they all sell.
“Good price, sunglasses, t-shirt, handbag” is a mantra repeated over and over, spoken in the same memorized monotone as the Buddhists’ chants down the street at the Mahayana Temple. The smells of asphalt, fish, hand-picked herbs, and sweet pastry cling to you in Chinatown, but nothing else sticks around for long– the speed of Chinatown is the speed of commerce, and if you’re not buying or selling, then you are in the way.
In “Phone Life”, documentary filmmaker Ivan Cash explores the social dimensions of owning a smart phone in one of the United States’ tech capitals: San Francisco. Following two characters, a young, smart phone-obsessed girl and a tech designer who’s never owned a cellphone, Cash questions the worlds we create and deny thanks to the emergence of “smart” technology. Definitely a “first world problem”, but a problem nonetheless.
In true opposition to many great classical painters, Alexa Meade doesn’t hope to recreate reality in her paintings; she wants to paint reality (re: people) and then flatten it so it takes on an “artificial”, painted appearance. If it sounds confusing, that’s because it is. Basically, Meade transforms three-dimensional subjects–be they people, food or other objects–to to two-dimensional “works” through paint, and then flattens them by photographing them. And it’s absolutely fascinating.