It would be hard to explain Pawel Nolbert’s painted typography to a friend. The images flaunt characteristics of a painting—brushstrokes, paint drips and sometimes even the paint canisters themselves—and yet they the painted typography images from Nolbert’s Atypical series are mixed-media masterpieces unlike anything you have ever seen before.
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If you can avoid the dub step, you’re in for a treat. Artist iNo utilizes a spray paint that absorbs ultraviolet light and illuminates the space in which it’s used. It’s pretty neat if we do say so ourselves.
Set against a forested, earthy backdrop, the luminescent glow in Barry Underwood’s photographs is startlingly beautiful. Yet the colorful, glowing elements are much more than photographic manipulation. Underwood uses a combination of LED lights, luminescent materials and photographic effects to create each of the abstract landscapes in his work. The resulting images are magical, curious and effortlessly intriguing.
Henrique Oliveira’s artwork is unparalleled. Whether observing his colorful paintings or walking through a larger-than-life installation, viewers are enthralled by both the immensity and the unique appearance of his paintings, sculptures and art installations. Though the Brazilian artist lives and works in São Paulo, his work has crossed oceans, being displayed and installed in museums and galleries worldwide.
Master sand-sculptor Carl Jara showcases his broad imagination and attention to detail in each of his wondrous sand creations. A far cry from your average sandcastle, creating these epic sculptures is a major undertaking. Massive amounts of sand (obviously), large structural support objects, and big rig trucks to supply the large amounts of water are needed throughout the sculpting process. Along with actually transferring an artist’s vision unto billions of grains of sand, it’s no surprise that it takes nearly three whole days to complete a competition sculpture.
To understand the world view of Charles Jencks, a landscape architect and sculptor whose grand body of work has to be seen to be believed, refer to Jenck’s own remarks: “To see the world in a Grain of Sand, the poetic insight of William Blake, is to find relationships between the big and small, science and spirituality, the universe and the landscape. This cosmic setting provides the narrative for my content-driven work, the writing and design. I explore metaphors that underlie both growing nature and the laws of nature, parallels that root us personally in the cosmos as firmly as a plant, even while our mind escapes this home.”
With names like “The Garden of Cosmic Speculation” and “Northumberlandia”, the Lady of the North, Charles Jencks’ creations are as grandiose as they are mesmerizing. Celebrating nature in conjunction with scientific and architectural design, Jencks’ gardens and parks carry a signature style unique to his own experiences and expertise.