It’s hard to tell what this video makes you fall in love with more: the place or the camera.
Before the days of Photoshop, Instagram filters and instant home-editing software, there was little that could be done to adequately convey the energy, mood and spirit of a moment captured in time…
While Paris was first dubbed the “City of Light” to recognize its status as a haven for the enlightened, the moniker took a more literal turn when the city began lighting the Champs-Elysées with gas lamps in 1828. As Paris was the first city in Europe to do so, its nickname, “La Ville-Lumière” assumed a new meaning.
To composer Joseph Bertolozzi, the Eiffel Tower is not just meant for scaling and admiring; it’s also for playing.
The time to talk about the elephant in the room has ceased, at least to artist Kurt Perschke. It’s time to talk–or as Perschke hopes–wonder about the large red ball directly in your path. By the playful placing of a bold, exaggerated ball on every day street corners, Perschke hopes to tap into the part of our brain that ponders the unreasonable and beyond belief–a part of the mind that far too often grows dusty with age.
Says Perschke in his statement, “On the surface, the experience seems to be about the ball itself as an object, but the true power of the project is what it can create for those who experience it. It opens a doorway to imagine what if? As Red Ball travels around the world people approach me on the street with excited suggestions about where to put it in their city. In that moment the person is not a spectator but a participant in the act of imagination. I have witnessed it across continents, diverse age spans, cultures, and languages, always issuing an invitation. That invitation to engage, to collectively imagine, is the true essence of the Red Ball Project.”